WALTER MARTIN

1953   Nacido en Norfolk, Virginia

EXPOSICIONES INDIVIDUALES (selección)

2005   Cold Front, P.P.O.W Gallery, New York, NY
2004   The Frigid Zone, Galerie Academia, Salzburg, Austria
              Travelers, Rhona Hoffman Gallery, Chicago, IL
              Travelers, Museo de la Universidad de Alicante, Spain.
2003   Travelers, P·P·O·W, New York, NY
         Travelers, Galería Moriarty, Madrid, Spain.
2001   P·P·O·W, New York, NY
2000   Loss of Experience, Santa Barbara Contemporary  Arts Forum, Santa Barbara, CA
1999   Dis, Momenta Gallery, Brooklyn, New York
Centro de Arte Burgos, Spain
1998   P·P·O·W, New York, NY
1996   P·P·O·W, New York, NY
          Galería Moriarty, Madrid, Spain
1994   A Cure for all Remedies and Other Short Stories, P·P·O·W, New York, NY
1993   The Chrysler Museum, Norfolk, VA
1992   P·P·O·W, New York, NY
1991   Drawings from the Patent Office, P·P·O·W, New York, NY
1989   P·P·O·W, New York, NY
1988   P·P·O·W, New York, NY
1986   P·P·O·W, New York, NY
1984   P·P·O·W, New York, NY

EXPOSICIONES COLECTIVAS (selección)

2006   Sense of the Real, Ars 06, Museum of Contemporary Art KIESMA, Helsinki, Finnland
          New Art, New York: Reflections on the Human Condition, Hangar 7-Red Bull Kunsthalle, Salzburg,           Austria
2005   In Focus: Contemporary Photography from the AllenG.ThomasJr.Collection
          North Carolina Museum of Art, Raleigh, NC
          The Empire of Signs, Numark Gallery, Washington DC
             Memoria y Deseo, Fundación Foto Colectania, Barcelona, Spain
            Presencias/Ausencias La Colección IV, CAB, Burgos, Spain
            "Paradisio e Inferno", Mario Mauroner Gallery, Vienna, Austria
2004  Le Drôit de Rève,Galerie Academia, Salzburg, Austria
         Instinto, Galería Fúcares, Almagro, Spain
2003   MetroSpective at CityHallPark, Public Art Fund, New York,  NY
             Decade, Shroeder-Romero Gallery, Brooklyn, NY
             Hot Summer in New York, Sean Kelly Gallery, New York,  NY
             White, Bill Maynes Gallery, New York, NY
             Punto de Encuentro: La Colección I,  CAB, Centro de Arte Caja de Burgos, Spain
2001    Animas!, The Rotunda Gallery, Brooklyn, NY
2000   Canal de Seducción, Monasterio de Nuestra Sñra. de Prado, Valladolid,  Spain
          Fantasies and Curiosities, The Art Museum, Florida International University, Miami, FL
             Plastic Monuments, Centro Municipal de Exposiciones Subte, Montevideo, Uruguay.
1999   True West, P·P·O·W, New York, NY.
1998   De Imagenes y Soportes: 45 Salon Internacional de Fotografia, curated by P. Navares, Palacio           Revillagijedo, Gijon, Spain
              Huesca Imagen, Palacio Pignatelli, Huesca, Spain
              Seeing Money, The Rotunda Gallery, Brooklyn, NY
1997   Objectivity: International Objects of Subjectivity, Contemporary Art Center of Virginia, Virginia Beach, VA
          No Small Feat: Investigations of the Shoe in Contemporary Art, Rhona Hoffman Gallery, Chicago, IL
          The Chalkboard Chronicles, TZ Art & Co., NY
1996   Domestic Partnerships, Art in General, New York, NY
          The Subverted Object, Ubu Gallery, New York, NY
          Changing Places, Metro Tech Center, The Public Art Fund, Brooklyn, NY
          Restos Humanos, Alejandro Sales Gallery, Barcelona, Spain
1995   Revisiting the Landscape, California Center for the Arts, Escondido, CA
          (Unpainted to the Last): Moby Dick in American Art 1940-1990,  The Spencer Museum of Art, University of Kansas, Lawrence, KS
            USA in Arco, curated by Kevin Consey, P.P.O.W Gallery Arco, Madrid, Spain
1994   Body Human, Nohra Haime Gallery, New York, NY
          Trajectories, The Spanish Institute, New York, NY
          Woodworks, Adam Baumgold Fine Art, New York, NY
          The Arabesque, P·P·O·W, New York, NY
1993   Art/Functional Art, Turbulence, New York, NY
1991   Dead Heroes, Disfigured Love, curated by Chris Sweet, Lorence Monk Gallery, NY.
1990   Writ in Water, Solo Press/Solo Gallery, New York, NY
          Crown Press, New York, NY
1989   Gothenburg Art Gallery, Sweden
          Sundsvalls Museum, Sweden
          Sodertalje, Sweden
          Studio Exhibition, P.S. 1 Museum, Long Island City, NY
1988   Sculpture Inside-Outside, Walker Art Center, Minneapolis, MN
          Sculpture Inside-Outside, Museum of Fine Arts, Houston, TX
          Esbo Museum of Art, Helsinki, Finland
          Norrkoping Museum of Art, Sweden
          Desire Paths, The Schulman Sculpture Garden, White Plains, New York, NY
1986   Four Sculptors, P·P·O·W, New York, NY
1985   57th Between A & D, Holly Solomon Gallery, New York, NY
          East Village at the Centre, curated by Katya Arnold, Saidye Bronfman Centre, Montreal, Canada
            Sculpture, Objects & Related Drawings, Art Palace, New York, NY
          Out of Context, Piccadilly Gallery, catalogue, London, Great Britain
          New Work, P·P·O·W, New York, NY
          A Brave New World, A New Generation, Udstillingsbygning ved Charlottenborg, Copenhagen,           curated by Thomas Solomon; traveled to Lunds Konsthall, Sweden
1984   Summer Group Exhibition, P·P·O·W, New York, NY
          Behind The Stacks: 4th Annual Artists Books, Kathryn Markel Gallery, New York, NY

ESCULTURAS Y ARTE PÚBLICO

2005             Travelers,  Wilshire/Normandie Metro Rail Station, MTA Metro Art, Los Angeles, CA.
2003                MetroSpective at City Hall Park, City Hall Park, New York,  Public Art Fund, NY.
2002-03        Travelers,  Grand Central Terminal, MTA Arts for Transit, NY.
2001             Forbidden Door, Bloomberg LP, Public Art Fund, NY.
1997-00        A Gathering, MTA’s Arts for Transit Program, Canal Street Station on the A an C and E Lines,                     New York, NY (permanent installation)
1998             Forest, Metro Tech Center, The Public Art Fund, Booklyn, NY.
1997             Changing Places, Metro Tech Center, Public Art Fund, Brooklyn, NY
1988             911, The Schulman Sculpture Garden, White Plains, NY

BIBLIOGRAFÍA (selección)

2006   Hirvonen, Ari. "Encounters on Emerging Boundary Spaces", Cataloge from "Sense of the Real" Ars           06, Museum of Contemporary Art KIASMA, Helsinki, p.p. 39-45
          Olmo, Santiago B. "Winter Travel", Cataloge from "Sense of the Real" Ars 06, Museum of           Contemporary Art KIASMA, Helsinki, p.p. 160-163
2005   Galeries Chelsea, The New Yorker, “Walter Martin & Paloma Muñoz”, Feb 7, p. 17.
         “Walter Martin & Paloma Muñoz.”, Harper’s, May, p.31
           
2004   Alvarez Enjuto, Jose Manuel. “Walter Martin & Paloma Muñoz”, Lapiz, Isuue 2003, May-June, p.91.
         
2003   McCormick, Carlo.  “Elegy in White: Walter Martin & Paloma Muñoz”, Aperture, Winter Issue #173,           pp. 18-31.
          Jarque, Fietta. “Misteriosos Cuentos en la Nieve”, El Pais, Babelia, December 13, p. 26.
          Johnson, Ken. “Travelers: Walter Martin & Paloma Muñoz”, The New York Times, Art in Review, Jan.           17, p. E 48
2001    Vogel, Carol. “Don’t Feed the Birds” New York Times, March 2, p. E34.
          Wilson, Rob. “Walter Martin & Paloma Muñoz”, Sculpture, Summer Issue,  p. 14.
1999    “Walter Martin & Paloma Muñoz.”  The New Yorker, September 27, p. 14.

1998    Johnson, Ken. “Walter Martin & Paloma Muñoz.”  The New York Times, Art Guide, March 6, p.E43.

1996   Cameron, Dan. “ Imitation of Life.” Catalogue, P·P·O·W, New York; Galería Moriarty, Madrid. 1993  
1997   Danto, Arthur C. “Fine Art and Functional Objects.” Catalogue Art and ApplicationTurbulence, NYC.
          Catalogue, Parameters: Walter Martin, The Chrysler Museum. Norfolk, VA.
          McGreevy, Linda.  “Irony and Melancholy Haunt Norfolk Native’s Newest Work.” July.
          Van Horn, Virginia.  “Martin masters sleight of hand in Chrysler exhibit,” The
          Virginian-Pilot and The Ledger-Star, August 22.
          Annas, Teresa.  “Pianos, clocks inhabit artist’s surreal world.” The Virginian-Pilot and The                     Ledger-Star, July 17.
1991   Levin, Kim. "Choices." The Village Voice, February 20.
          Levin, Kim. "Choices." The Village Voice, August 13.
          The New Yorker, Soho Galleries, October 21.
          Nikkei Art, 1992/6, p. 195.
1990   Woodard, Josef, "Space and Matter." The Independent, April 5, p. 30.
          Freeman, Phylis, review, New Art, p. 130-131.
          New Art, Harry N. Abrams, Inc., New York, NY, p. 130-131.
          "ARCO '90," Ajoblanco, reproduction, March, p. 45, Spain.
          "Cajon de Sastre para visitantes de escultura," ABC, reproduction, p. 128, Spain.
         1989   Porges, M.F., "The Shape of Reason." Shift, Number 2, San Francisco, CA, Spring.
          Stern, William, "Sculpture: Inside Outside." Cite, Summer, p. 20.
          Whitmore, Laura, "Outdoor Exhibition." Sculpture, May/June, p. 14.
          Sculpture:  Inside Outside, essay by Carter Ratcliff, Walker Art Center, Minneapolis, MN; Rizzoli, NY;           pp. 14, 44, 45, 166-173.
          Taylor, Paul, "Art Object Lessons," House and Garden Magazine, October,
          Reproduction, p. 68.
1988   Levin, Kim, "Choices," The Village Voice, February 23, p. 40.
          Smith, Roberta. "An Array of Artists, Styles and Trends in Downtown
          Galleries," The New York Times, Friday, February 26, p. C48.
          Leigh, Christian. “Walter Martin”, Artforum, May,  p. 144.
          Martin, Mary Abbe. "Strange Things Put on View at Walker Center." Star
          Tribune, Minneapolis, MN, May 22.
          Maggi, Laura. "A New York, Una Galleria Minimalista." Casa Vogue, Italy, June, p. 138.
          Brenson, Michael. "Coming to Grips with Sculpture." New York Times,
          Sunday, June 19, p. 33-41.
          Martin, Mary Abbe. "Splendor in the Grass." Artnews, October, pp. 126-130.
          Raynor, Vivien. "Outdoor Sculpture With a Critical Note." The New YorkTimes,
          Sunday, October 30.
          McCormick, Carlo. Exhibition Catalogue, "Collide-A-Scope:  The divergent perspectives
          of contemporary art's many facets." Galleri OTSO, Norrkopings, Konstmuseum,
          Goteborgs Konsthall, the  Sundsvalls Museum and the Sodertalje Konsthall.
1987   Lathern, Alexia. Review of Exhibition at P·P·O·W, 108 An East Village Review,March/April.
1986   Sichel, Andy. Review of Exhibition at P·P·O·W, DOWNTOWN, June 18, p. 6-7A.
          Panicelli, Ida. “Alice in Wonderland (Letter from New York).” NIKE
          New Art in Europe, July/August/September Issue, p. 75.
          Cameron, Dan. Review of Exhibition at P·P·O·W, Flash Art, October/November Issue, p. 75.
          APPEARANCES, Number 13, Fall/Winter 1986-87, p. 22.
1985   Shannon, Mark. Review of Exhibition at P·P·O·W, ARTS Magazine, February.
1984   Raynor, Vivien. Review of Exhibition at P·P·O·W, The New York Times, Friday, Nov 30.

COLECCIONES

Walker Art Center for the Arts, Minneapolis, MN
Museum of Art and Design, New York, NY
Miami Museum of Art, Miami, FL
The Hunter Museum of American Art, TN
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Centro de Arte de Burgos, Burgos, Spain
Ayuntamiento de Pamplona, Spain
La Caixa, Colección Testimonio, Barcelona,  Spain
MUA, Museo de la Universidad de Alicante, Spain
Prosegur, S.A., Spain
MTA Arts for Transit, New York, NY
MTA Metro Art, Los Angeles, CA
Bloomberg L.P., New York, NY
Progressive Corporation, Cleveland, OH
Aperture Foundation, New York, NY
And private collections in the USA and Europe.

 

 

PALOMA MUÑOZ

1965   Nacida en Madrid.

EXPOSICIONES INDIVIDUALES

2005   Cold Front,  P.P.O.W. Gallery, New Yok, NY
2004   The Frigid Zone, Galerie Academia, Salzburg, Austria
             Travelers, Rhona Hoffman Gallery, Chicago, IL
             Travelers, Museo de la Universidad de Alicante, Spain.
2003   Travelers, P·P·O·W, New York, NY
         Travelers, Galería Moriarty, Madrid, Spain
2001   P·P·O·W, New York, NY
2000   Loss of Experience, Santa Barbara Arts Forum, Santa Barbara, CA
1999   Dis, Momenta Gallery, Brooklyn, New York
          Centro de Arte de Burgos, Spain
1997   Alejandro Sales Gallery, Barcelona, Spain
1996   P·P·O·W, New York, NY
         Galería Moriarty, Madrid, Spain
1994   A Cure for All Remedies and Other Short Stories, P·P·O·W, New York, NY

EXPOSICIONES COLECTIVAS (selección)

2006   Ars 06, Museum of Contemporary Art KIASMA, Helsinki, Finnland
         New Art, New York: Reflections on the Human Condition, Hangar 7-Red Hull Kunsthalle, Salzburg,          Austria
          Snow, Rockland Center for the Arts, NY.
2005 New Art, New York: Reflections on the Human Condition, Trierenberg Holding, AG, Traun, Austria
            In Focus: Contemporary Photography from the AllenG.ThomasJr.Collection
         North Carolina Museum of Art, Raleigh, NC
          The Empire of Signs, Numark Gallery, Washington DC
             Memoria y Deseo, Fundación Foto Colectania, Barcelona, Spain
             Arts for Transit Along the Way, UBS Gallery, New York, NY
            Foreign Affair, The Center for Photography at Woodstock, NY
         Rearranged/Redefined: Domestic Objects Reconsidered, Main Line Art Center, Haverford,  PA
         Arte Fiera, MAM Mario Mauroner Gallery, Bologne, Italy
            Art Brussels, MAM Mario Mauroner Gallery, Brussels, Belgium
          Presencias/Ausencias La Colección IV, CAB, Burgos, Spain
            Paradisio e Inferno, MAM, Mario Mauroner Gallery, Vienna, Austria
            ARCO, Galeria Moriarty, Madrid, Spain
2004 Art Miami Basel, PPOW Gallery of New York, Miami, FL
            Le Drôit de Rève,Galerie Academia, Salzburg, Austria
         Instinto, Galería Fúcares, Almagro, Spain
         Colección Testimonio, Sala de Exposiciones Plaza Conde de Rodezno, Pamplona, Spain
            ARCO,Galería Moriarty, Madrid, Spain
          The Art Show, PPOW Gallery, New York, NY
             Art Cologne,Galerie Academia, Salzburg, Austria
2003   MetroSpective at CityHallPark, Public Art Fund, NY
          Multiple, Nassau Museum of Comtemporary Art, Long Island, NY
            Decade, Shroeder-Romero Gallery, Brooklyn, NY
            Hot Summer in the City, Sean Kelly Gallery, New York,  NY
            White, Bill Maynes Gallery, New York, NY
            The Pier Show, PPOW Gallery, New York, NY
            The Armory  Show, PPOW Gallery, New York, NY
             ARCO, GaleríaMoriarty, Madrid, Spain
             Art MiamiBasel, PPOW Gallery of New York, Miami, FL
             Punto de Encuentro. La Colección I, CAB, Burgos, Spain
2002 Art Palm Beach,PPOW Gallery, Palm Beach, FL
          Chicago ART, PPOW Gallery, New York, NY
2001   Mimic, GaleGates Gallery, Brooklyn, NY
          Chicago ART, PPOW Gallery, New York, NY
             Animas!,The Rotunda Gallery, Brooklyn, NY
2000   Canal de Seducción, Monasterio de Nuestra Sñra. de Prado, Valladolid, Spain.
             Fantasies and Curiosities, The Art Museum, Florida International University, Miami, FL
             Plastic Monuments, Centro Municipal de Exposiciones Subte, Montevideo, Uruguay.
             ARCO, Galería Moriarty, Madrid, Spain
1999   True West, P·P·O·W, New York, NY. Curated by Jason Murison.
          ARCO, Galería Moriarty, Madrid, Spain
1998   De Imagenes y Soportes: 45 Salon Internacional de Fotografia, curated by P. Navares, Palacio           Revillagijedo, Gijon, Spain
             Huesca Imagen, Palacio Pignatelli, Huesca, Spain
             Rights of Spring, P.P.O.W, New York, NY
             Memorial Book, Museo Pablo Gargallo, Zaragoza, Spain.
             Visions de Futur’98, Can Paulet Sales d’Exposicions, Mataro, Spain.
             ARCO, GaleríaMoriarty, Madrid, Spain
             Grammercy International,  Galería Berini, New York, NY
1997   Objectivity: International Objects of Subjectivity, Contemporary Art Center of Virginia, VA Beach, VA
          No Small Feat: Investigations of the Shoe is Contemporary Art, Rhona Hoffman Gallery, Chicago, IL
          Wit, Whimsy & Humor, curated by Mary Close, Castle Gallery, College of New Rochelle, NY
          The Chalkboard Chronicles, TZArt & Co., NY
             ARCO, GaleríaMoriarty, Madrid, Spain
1996   Domestic Partnership, Art in General, New York, NY
          Thinking of You: A Collection of Contemporary Spain, Gotheborg Kunstmuseum, Sweden
          Group Hanging, Griffin Linton Gallery, Venice, CA
          Changing Places, MetroTech Center, The Public Art Fund, Brooklyn, NY
          Restos Humanos, Galeria Alejandro Sales, Barcelona Spain
          The Subverted Object, Ubu Gallery, NY
             ARCO, PPOW Gallery and Moriarty Gallery, Madrid, Spain
             Chicago ART, PPOW Gallery, Madrid, Spain
1995   Revisiting the Landscape, California Center for the Arts, Escondido, CA
          USA in ARCO, curated by Kevin Consey, Madrid, Spain
1994   Trajectories, The Spanish Institute, New York, NY
          The Body Human, Nohra Haime Gallery, New York, NY
1990   Les Etoiles de la Peinture, A.T. Gallery, Paris, France
          In Situ, Künstlerhaus Hamburg, curated by Sabine Mohr, Hamburg, Germany
1989   Otras Miradas, curated by Lola Garrido, Canal de Isabel II, Madrid, Spain,
          Studenten der Sommerakademie, Salzburg, Austria
          Talleres de Arte Actual, Círculo de Bellas Artes, Madrid, Spain
1987   El Jardin de las Sombras, Casa del Reloj, Madrid, Spain
1986   Bienal del Mediterraneo, Barcelona, Spain
          Madrid, Ciudad Abierta, Universidad Menendez Pelayo, curated by Lola Garrido, Santander, Spain

ESCULTURAS Y ARTE PÚBLICO

2005            Travelers,  Wilshire/Normandie Metro Rail Station, MTA Metro Art, Los Angeles, CA
2003             MetroSpective at City Hall Park, City Hall Park, New York,  Public Art Fund, NY.
2002-03        Travelers,  Grand Central Terminal, MTA Arts for Transit, NY.
2001             Forbidden Door, Bloomberg LP, Public Art Fund, NY.
1997-00        A Gathering, MTA’s Arts for Transit Program, Canal Street Station on     the A and the C                     Lines, New York, NY (permanent installation)
1998             Forest, Metro Tech Center, The Public Art Fund, Booklyn, NY.
1997             Changing Places, Metro Tech Center, Public Art Fund, Brooklyn, NY

BIBLIOGRAFÍA (selección)

2005   Dawson, Jessica. Reflecting on a Cultural Divide, The Washington Post, October 6, p.C08 reproduction.
          Kleiman, Molly.People Sticking Their Heads in Things, NY Arts Magazine, Sept-Oct 2005 Vol.10, No.           9/10
          Galeries Chelsea, The New Yorker, “Walter Martin & Paloma Muñoz”, Feb 7, p. 17.
          Art, “Cold Case, Walter Martin & Paloma Muñoz”, The New York Sun, Jan 14-16, p. 14.
2004   Kriechbaum, Reinhard. “Dunkelmänner unter Schneeflocken”, DrehPunktKultur Salzburg, December.
          Camper, Fred.  Critic’s Choice, “Walter Martin & Paloma Muñoz”, Chicago Reader, February 20, p.           24.
          Alvarez Enjuto, Jose Manuel. “Walter Martin & Paloma Muñoz”, Lapiz, Isuue 2003, May-June, p.91.
          G. Artner, Alan. “McElheny succumbs to Glass’ Seductiveness”, Chicago Tribune, February 27, p. 25.
          B. Olmo, Santiago. “Viaje de Invierno”, Catalogo MUA, Alicante.
2003   McCormick, Carlo.  “Elegy in White: Walter Martin & Paloma Muñoz.” Aperture, Winter Issue #173,           pp. 18-31.
          Jarque, Fietta. “Misteriosos Cuentos en la Nieve.” El Pais, Babelia,  26. December 13, p.26
          H. Pozuelo, Abel. “Walter Martin & Paloma Muñoz.” EL Mundo, November 20.
          Kimmelman, Michael. “A Seasonal Migration of Cultural Scope.” The New York Times , August 8 , p.           E29.
          Johnson, Ken. “Travelers: Walter Martin & Paloma Muñoz.”  The New York Times, Art in Review,           January 17, p. E 48
          Johnson, Ken. “Travelers: Walter Martin & Paloma Muñoz.” The New York Times, Art  Guide,                      January 23, p. E49.
          Paredes, Tomas. “Walter Martin & Paloma Muñoz: Cuentos de Invierno.” EL Punto, February 7, p.           27.
          Martín Galan, Fernando. “La Apocatástasis de Walter Martin & Paloma Muñoz”, Ubicarte.com
2001      Crowder, Joan. “Different Strokes.” Santa Barbara New Press – Scene, January 7, p. 6.
          Vogel, Carol. “Don’t Feed the Birds.”  New York Times, March 2, p. E34.
          Wilson, Rob. “Walter Martin & Paloma Muñoz”, Sculpture, Summer Issue,  p. 14.
2000   Montoya , Mon. Catalogue, Canal de Seducción, Valladolid, Spain.
          Laster, Paul. “Brooklyn Spice”, Artnet.com, October.
         Catalogue. Espacio Caja de Burgos, Burgos, Spain.
1998   Barr, Tom. Review (Objectivity: International Objects of Subjectivity, Contemporary Art Center of           Virginia) Sculpture, November.
          Johnson, Ken.  New York Times, March 6, p. E43.
          Chambers, Christopher.  “Picks.” NY Arts, March-April, p. 35.
1997   Annas, Teresa. “Worldly Visions.” The Virginian Pilot, December 13, p.13, E5.
          Hanzal, Carla. “Objectivity: Pursuing the Subjective,” exhibition catalogue published by                     Contemporary Art Center of Virginia.
          Faultline. Journal of Art and Literature, Volume V. November Issue, front p. 61.
          Smith, Roberta. “Sculpture Adorns the Urban Terrain.” The New York Times, August 8, p. 23.
          Raynor, Vivian. “From a Partnership of ‘Elements’ to a Show of Playfulness.” The New York Times.
1996   Cameron, Dan. “ Imitation of Life.” Catalogue, P·P·O·W, New York; Galería Moriarty, Madrid.
          Gear, Josephine.  “Changing Places.” Review, November 1, p. 18
1994   Village Voice, “Choices.” October 27, p. 84.
          El Punto, “Paloma Muñoz & Walter Martin: Historias cortas de curas y terapias.”
                   October 23, p. 24.
1991   El Pais, “Premios.” February 10.
          Actualidad Económica, “Y Además Pintura.” February 10.
          Asociacion de Ideas, “Premios.” February 10.
1990   Die Tageszeitung, Galerienspiegel, August 22.
          Hamburger Morgen Post, “Sechs Wochen in Farbe, Comic und Blei.” August 27.
          El Punto, “Premios Las Estrellas de la Pintura,” December 14.
          Catalogue, “Les Etoiles de la Peinture.” December 14.
1989   Paredes, Tomás, “Otras Miradas, Los ámbitos que nacen,” El Punto, January.
          LAPIZ, “Las Otras Miradas.” January.
1988   Costa, José Manuel. Catalogue, “Otras Miradas.” pp. 12, 67-77.
          Castaño, Adolfo.  “Las Otras Miradas.” ABC, December 29.
1986   Catalogue, “Bienal del Mediterráneo.”  p. 146.
          Catalogue, “Madrid, Ciudad Abierta.”  p. 6.

COLECCIONES

Miami Museum of Art, Miami, FL
The Hunter Museum of American Art, TN
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Centro de Arte Caja de Burgos, Burgos, Spain
La Caixa, Colección Testimonio, Barcelona, Spain
Ayuntamiento de Pamplona, Spain
MUA, Museo de la Universidad de Alicante, Spain
Prosegur, S.A., Spain
MTA Arts for Transit, New York, NY
MTA Metro Art, Los Angeles, CA
Smart Art Press, CA
Bloomberg L.P., New York, NY
Accord Collection, Paris, France
Hans Mayer Gallery, Germany
Aperture Foundation, New York
Museum of Art and Design, New York
And private collections in the USA and Europe.